Feb 4, 2018 - El Camino Real Alfred Reed Pdf Writer. Alfred Reed - El Camino Real. Feel free to recommend similar pieces if you liked this piece,.

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El Camino Real is a work for by the American composer. The following are the program notes that wrote to accompany his composition: El Camino Real (literally 'The Royal Road' or 'The King's Highway') was commissioned by, and is dedicated to, the 581st Air Force Band (AFRES) and its Commander, Lt.

Composed during the latter half of 1984 and completed in early '85, it bears the subtitle: 'A Latin Fantasy.' The music is based on a series of chord progressions common to countless generations of Spanish flamenco (and other) guitarists, whose fiery style and brilliant playing have captivated millions of music lovers throughout the world. These progressions and the resulting key relationships have become practically synonymous with what we feel to be the true Spanish idiom. Together with the folk melodies they have underscored, in part derived by a procedure known to musicians as the 'melodizing of harmony,' they have created a vast body of what most people would consider authentic Spanish music. The first section of the music is based upon the dance form known as the, while the second, contrasting section is derived from the, but here altered considerably in both time and tempo from its usual form. Overall, the music follows a traditional three-part pattern: fast-slow-fast.

The first public performance of El Camino Real took place on April 15th, 1985 in Sarasota, Florida, with the 581st Air Force Band under the direction of Lt. References [ ] • Program note by Alfred Reed, from the score to El Camino Real.

El Camino Real (The Royal Road or The King's Highway) was commissioned by the 581st Air Force Band and its commander, Lt. This fantasy is based on a series of Spanish folk melodies and underscored by chord progressions used by generations of flamenco guitarists, whose fiery style and brilliant playing have created a vast body of what many consider authentic Spanish music. The music follows a traditional fast-slow-fast pattern, with a first section that is based on the dance form known as the jota, and second contrasting section derived from the fandango.